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January 1968

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Events

  1. January 1968
    Gwendolyn Brooks Publishes 'In the Mecca' and Joins Black Arts Movement

    Brooks's long poem set in Chicago's Mecca Flats housing project was her last book for Harper & Row before she moved to Broadside Press to support Black-owned publishing. Her public turn toward the Black Arts Movement was a major signal of the movement's cultural legitimacy.

  2. January 1968
    Marvin Gaye Releases 'I Heard It Through the Grapevine'

    Gaye's churning, anxious take on paranoia and betrayal became Motown's biggest-selling single to that point, spending seven weeks at #1. Norman Whitfield's production with its wah-wah guitar and Gaye's pleading vocal pointed toward the socially conscious direction both would pursue.

  3. January 1968
    Sly & the Family Stone Release 'Everyday People'

    'Everyday People' reached #1 pop in early 1969 and became an anthem of racial harmony from an integrated band at a moment of intense national polarization. The song's message of accepting differences was a counterpoint to both white backlash and Black separatism.

  4. January 1968
    Otis Redding's 'Dock of the Bay' Released Posthumously at #1

    Recorded three days before Redding's death in a plane crash, 'Sittin' on the Dock of the Bay' became the first posthumous #1 pop single in history. Its relaxed, introspective tone marked a new direction for Redding and for Southern soul music.

  5. January 1968
    Gwendolyn Brooks Publishes 'In the Mecca' and Joins Black Arts Movement

    Brooks's long poem set in Chicago's Mecca Flats was her last book for Harper & Row before moving to Black-owned Broadside Press. Her public turn toward the Black Arts Movement was a major signal of the movement's cultural legitimacy.

  6. January 1968
    Sly & the Family Stone Release 'Dance to the Music'

    The debut major hit of Sly Stone's racially and gender-integrated band reached #8 pop. The group's integration of rock, soul, and psychedelia led by a Black bandleader with white and female members made a powerful social statement through musical form.

  7. 1968
    Bob Gibson Posts 1.12 ERA — Lowest in Modern MLB History

    St. Louis Cardinals pitcher Bob Gibson compiled a 1.12 ERA across 305 innings — the lowest ERA in MLB history for any pitcher with more than 300 innings — with 13 shutouts and 268 strikeouts. The performance was so dominant it led to the lowering of the mound the following year.

  8. January 1968
    Sly & the Family Stone Release 'Dance to the Music'

    The debut major hit of Sly Stone's racially and gender-integrated band reached #8 on the pop chart. The group's integration of rock, soul, and psychedelia, led by a Black bandleader with white and female members, made a powerful social statement through musical form.

  9. January 1968
    James Brown Releases 'Say It Loud — I'm Black and I'm Proud'

    Recorded one month after King's assassination, Brown's declaration of Black pride and self-determination reached #10 pop and #1 R&B. The call-and-response recording featuring a chorus of Black children became the anthem of the Black Power era.

  10. January 1968
    Otis Redding's posthumous '(Sittin' On) The Dock of the Bay' tops charts

    Released three weeks after Redding's death in a plane crash, 'Dock of the Bay' became his first number-one pop hit and the first posthumous number-one single in US chart history. The song cemented Redding's legacy as the greatest Southern soul singer and demonstrated soul music's universal appeal.

  11. January 1968
    Aretha Franklin's 'Chain of Fools' Reaches #1 R&B

    The Don Covay-written gospel-soul workout showcased Franklin's full vocal range and improvisational skill, winning a Grammy for Best Rhythm & Blues Recording. It exemplified the harder-edged direction of her Atlantic Records work.

  12. 1968
    Nikki Giovanni publishes Black Feeling, Black Talk

    Giovanni's self-published debut collection, sold out of her car, became a bestseller and established her as a leading voice of the Black Arts Movement. Her confrontational, rhythmic poetry brought Black pride and radical politics into living rooms across America, earning her the nickname 'Princess of Black Poetry.'

  13. 1968
    Nikki Giovanni Publishes 'Black Feeling Black Talk'

    Giovanni self-published her debut poetry collection in Cincinnati, launching one of the most prominent careers in the Black Arts Movement. Her direct, politically charged voice and accessibility made her a leading poet of her generation.

  14. January 1968
    Eldridge Cleaver Publishes 'Soul on Ice'

    The Black Panther Party's minister of information wrote his essays while incarcerated at Folsom Prison. The collection offered searing analyses of race, masculinity, sexuality, and American capitalism, becoming one of the most widely read political texts of the late 1960s.

  15. 1968
    Howard University Medical School Celebrates 100 Years of Training Black Physicians

    Howard University College of Medicine, founded in 1868, had by the late 1960s trained over half of all Black physicians in the United States. During the civil rights era its graduates staffed the majority of hospitals serving Black communities across the South.

  16. 1968
    Coretta Scott King founds the King Center

    In the immediate aftermath of her husband's assassination, Coretta Scott King founded the Martin Luther King Jr. Center for Nonviolent Social Change in Atlanta, establishing the world's leading institution for education and research on nonviolent activism. She spent four decades ensuring King's legacy and continuing the movement, successfully leading the campaign to establish his birthday as a federal holiday.

  17. January 1968
    The Supremes Release 'Love Child'

    The Supremes' most socially conscious hit — addressing illegitimacy and poverty — reached #1 pop, demonstrating that Motown's pop formula could carry serious subject matter. It was the group's first #1 in two years and one of their last major chart successes.

  18. January 1968
    Melvin Van Peebles Directs 'Story of a Three-Day Pass' in France

    Van Peebles's debut feature — made in France with French financing, shot in French, and selected as France's entry at the San Francisco International Film Festival — depicted a Black US soldier's affair with a French woman. It launched the career of the man who would create 'Sweet Sweetback' and establish independent Black cinema.

  19. c. 1968
    Chicago formally recognizes Jean Baptiste Point du Sable as city founder

    Chicago formally begins recognizing Jean Baptiste Point du Sable, a Black man of Haitian origin, as the founder of Chicago, an important act of historical reclamation correcting decades of erasure from official city history.